Why has Asmat art, from a remote and small south-coast West Papuan society, had such a significant and prolonged impact on the world stage? This book explores the way major collections were made and examines the motivations of the collectors, their relationships with those from whom they purchased and the circumstances of the exchange. It also considers the involvement of artists and film-makers, anthropologists, representatives of the civil authorities and missionaries. Asmat artists have maintained their unique appeal through constant stylistic innovation and by engagement with new publics, both locally and internationally,as exemplified by the recent displays of women's weaving alongside the men's carved wooden shields, drums and figures. Despite accelerating social changes, Asmat art continues to thrive as a compelling and transformative Melanesian presence in the global art world. 'Awe-inspiring works of Asmat art loom large in the Metropolitan Museum of Art in New York and in dozens of other great museums around the world. Nick Stanley's engagingly written study provides the best history to date of the making of Asmat art traditions and of their avid acquisition by successive European and north American collectors. Most importantly, the book foregrounds the creativity and imagination of Asmat artists themselves. This is a book that will be welcomed by everyone interested in the arts of the Pacific.' Nicholas Thomas, University of Cambridge
After almost two decades the first guide dedicated solely to the making of a found-footage film has arrived. In this book you will be offered clear advice on how to write, direct and produce a quality found footage film. Advice coming from over half a dozen young film makers who are in post production of their films as this book is being published.On Making a Found Footage Film is more than a how to guide it is a call to refocus and redesign a genre of film making. To take if from a sub genre of horror films into comedy, action, suspense and straight drama. There is no limit to what the found-footage film can become in the hands of inventive new film-makers.
Meet Maudie, a plucky young girl, and her friend Bear, a gentle giant with a heart of gold.
A Companion to the War Film contains 27 original essays that examine all aspects of the genre, from the traditional war film, to the new global nature of conflicts, to the diverse formats war stories assume in today's digital culture.
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