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A User's Guide To The View Camera

RRP $268.99

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This reissued third edition of A User's Guide to View Camera introduces photographers to large-format cameras, covering their use with both film and digital capture. Readers will learn the anatomy of cameras with a separately adjustable back or front, the proper techniques for using view cameras, and how to take care of large-format cameras-all through straightforward and practical instruction and abundant visual examples. This latest edition features:


Practical approaches to mastering lenses, shutters, accessories, and the ever-important maintenance of your view camera


Tips for both simple operation and advanced control of the camera, including film holders, bellows, and tripods, and film handling and development


A section on digital equipment, offering updates on the nearly 200-year-long history of the view camera


A Companion To Digital Humanities

RRP $445.99

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This <i>Companion </i>offers a thorough, concise overview of the emerging field of humanities computing. <br><ul><br><li>Contains 37 original articles written by leaders in the field. <br><li>Addresses the central concerns shared by those interested in the subject. <br><li>Major sections focus on the experience of particular disciplines in applying computational methods to research problems; the basic principles of humanities computing; specific applications and methods; and production, dissemination and archiving. <br><li>Accompanied by a website featuring supplementary materials, standard readings in the field and essays to be included in future editions of the Companion. </li></ul>


Projecting A Camera

RRP $272.99

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In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera know? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in film.
With its thorough grounding in the philosophy of spectatorship and narrative, Projecting a Camera takes the study of film to a new level. With the care and precision that he brought to Narrative Comprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.



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